The title of this blog comes from a poem by Grace Nichols, Praise Song for my Mother. The poet explores ideas about love, relationships, and most importantly, identity. I have chosen it because I hope that my readers will use their writing to help follow that good advice.

Thursday 11 October 2012

Starless and Bible-Black

Choose a time of day and jot down all the sounds that you associate with it.  Early morning might include the dawn chorus, alarm clocks, yawns, the first stirrings from rustling bedsheets.  Now imagine that you are going to write the opening of a radio play that begins at your chosen time of day. The audience cannot see the scene, so consider how you might communicate these sounds in a narrative form.  Look at the extract below where Dylan Thomas is trying to capture ‘night’ for the listener:

 
It is…moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, wood limping invisible down to the slowblack, slow, black, crowblack, fishingboat-bobbing sea.  The houses are blind as moles or blind as Captian Cat there in the muffles middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows’ weeds.  And al the people of the lulled and dumbfounded town are sleeping now…
You can hear the dew falling and the hushed town breathing.  Listen. It is night moving in the streets, the processional salt slow musical wind in Coronation Street and Cockle Row, it is the grass growing on Llaregub Hill, dewfall, starfall, the sleep of birds in Milk Wood.
 
Happy writing!

Monday 16 July 2012

Rebirth - from a word-hoard

Beyond the shore I stand, in menacing waves beneath a murky sky. The depraved watery sound helps me to touch solitude and the tentacles of the water draw me in.  I think how deceptively inviting the water looks.  My history pulls me.

This sounds so depressing, and it was not how I felt as I undertook the exercise - though I think it could make an interesting opening to a story. My initial theme was rebirth, and my word-hoard included menacing, history, tentacles, depraved, solitude, beyond, deceptively - and the one that I couldn't get in...'magician'.  The questions were difficult to answer with those words, but I'm pleased with the idea of water having 'tentacles' and I feel that I have certainly created a particular (quite dark) mood and atmosphere that could have some use if I were to develop the piece.  The idea that the character's history is pulling her towards the water also starts to suggest some narrative ideas to me.  Something to come back to in the future, perhaps.

Tuesday 10 July 2012

Checking Out Me Writing History

I write all the time, every day. Sometimes my writing is work-related: reports, emails, marking comments, lesson plans, models for student work. Often it is for pleasure. But my memories of actually learning the complex skill of writing are vague.

I don't know if this is a real memory or one of those stories that is passed down in family folklore and becomes, by default, a memory. On my very first day at school, aged three, I wrote my name on a drawing I had done. The nuns, (for it was a Catholic school) were in raptures, amazed that I was capable of such a thing. I didn't really understand what all the fuss was about; I had been writing my name for a while. But they insisted on giving me a small cuddly toy in recognition of this 'feat', and my mother glowed with pride when she came to collect me. There indeed was an early confirmation of the transforming power of the written word.

I wrote a story called 'The School Caretaker' when I was about five. The narrative was simple: I wrote in the first person as the caretaker and described incredibly mundane tasks that I performed through the day - like changing a lightbulb and sweeping up in the locker area. Again, my teachers enthused. My grandmother kept the little exercise book in which the story was written until the day she died. There was further validation of how powerful writing could be in the reactions of the adults around me.

I recall gaining the final credit I needed for a Headteacher's Award for an essay on Maximilian Kolbe, and then a second one for an argumentative piece on the channel tunnel (before it had been built). In the final year of middle school I won the History Prize for my 100-page project on the history of my local village. I'd presented it chronologically, showing how it had grown from its first entry in the 1341 census, moving right towards the present day and including taped interviews with elderly residents who had talked about their own memories of the place changing. The prize was a book token, and I chose a book on British wildlife that I still have today.

So those amount to my early writing triumphs. If there were public disasters, I have blotted them out. I was a furious diary writer from my early teens to my early twenties and I would have been mortified had anyone found and read those entries, so personal were they. I no longer keep a journal but I do have a notebook that I am often scribbling in, though with nothing as formal as diary entires. And I have always written poetry, sporadically at times, but it is always there in the background. I am also, in spite of this digital age, an avid letter-writer. Nothing beats a hand-written letter. Nothing shows quite how much you care for the recipient. I have had pen-pals since school-days, and sustained a teenage romance by weekly letters when the object of my desire was at boarding school in Wales. These have bee replaced now by friends in far-flung corners of the earth. Most of them in parts of Australia, where I was lucky enough to teach for a year, and tempting though it is to use email to keep in touch, I try as far as possible to write letters.

I have had many fountain pens over the years. I prefer to write in real ink, but I don't have a special affinity with one particular writing implement. I just replace my Parker every few years as it goes missing at school or starts to leak. If I'm working on something creative my favourite place to go is a local cafe, sitting near the window. Well, it worked for J K Rowling, so who knows?

So, there you have it: some of my earliest memories to my current practices, and the kinds of writing that have played the most important part in my life. How do you recall your own writing history?